Kilauea; Mount Etna; Mount Yasur; Mount Nyiragongo and Nyamuragira; Piton de la Fournaise; Erta Ale. Especially for Society of Sound, the band have put together 'Dub Will Tear Us Apart', featuring ten brand new tracks fresh from studio sessions in Real World, Edinburgh and Addis Ababa. Highlights include Dub Colossus' Anglo-Ethiopian version of the reggae classic, “Uptown Top Ranking”, written and.

In 2006 Nick 'Dubulah' Page, British producer, multi-instrumentalist and founding member of Transglobal Underground and Syriana, first travelled to Ethiopia's capital Addis Ababa. His aim was to collaborate with musicians and explore traditional Azmari styles, 60s Ethiopian pop, Ethiojazz and 70s Jamaican Dub Reggae. He came across some amazingly talented artists – female vocalists Tsedenia Gebremarkos and Sintayehu 'Mimi' Zenebe, Ethiojazz pianist Samuel Yirga, tenor sax player Feleke Hailu and Teremage Woretaw on messenqo (one-string fiddle) and vocals. Especially for Society of Sound, the band have put together ‘Dub Will Tear Us Apart’, featuring ten brand new tracks fresh from studio sessions in Real World, Edinburgh and Addis Ababa. Highlights include Dub Colossus’ Anglo-Ethiopian version of the reggae classic, “Uptown Top Ranking”, written and originally performed by Jamaican girl duo Althea & Donna, which topped the UK singles chart in 1978. 'It had a big effect on me,' explains Nick Page, 'seeing it on Top Of The Pops it was a first in many ways.' Other highlights include 'Guragignia', a ferociously funky Ethiopian song which sounds like a blue taxi going at full speed with no brakes during rush hour in Addis Ababa.

A live show favourite, it features lead vocals by Sintayehu. 'Selemi' is another live favourite, an Ethio-Funk stomper fronted by Tsedenia supported by the keyboards of Samuel Yirga and saxes of Feleke Hailu, that morphs into a southern Ethiopian rhythm of release. In contrast, 'Medina' is a Teremage Woretaw traditional solo track, for voice and messenqo. A gospel song performed to mark a period of fasting, Teremage sings in growling wild swoops as he bows his messenqo with an intense energy. Gili Yalo - lead vocals, Inon Peretz - trumpet, Ilan Adiri - tenor sax, Ilan Smilan - lead guitar, Simon Nahum - rhythm guitar, Lior Romano - piano and organ, Tal Marcus - bass, Asaf Smilan - drums and percussion guests artists: Mahmoud Ahmed - vocals (5), Zemene Melesse - vocals (8), Yaacov Lilay - vocals (7), krar (1,7,10), Dejen Manchelot – masinko (10), Roei Hermon - trumpet (6, 9), Yonatan Voltzok - trombone?(1-5, 7) Maayan Milo – trombone (6,8,9), Omri Abramov - alto Sax (1-3, 5-7,9), Elad Gellert -? Baritone sax (1), Shay Sattaman Jacovi - backing vocals (8).

Once he returned to England, where he now works as an unconventional music teacher in the West Country, Harper continued work on a fusion project of his own. He persuaded an impressive selection of British musicians to add their contributions to his Ethiopian recordings, and the result was the album Punt, credited to a band Harper called Invisible System. It included a remarkable cast, from the legendary Ethiopian singer Mahmoud Ahmed through to punk hero Captain Sensible, guitarist Justin Adams and Count Dubulah; the results veered from African styles to psychedelic rock, trip-hop and dub. Although this was originally something of an obscure DIY release, Harper managed to bring his work to national attention, and won impressive reviews. Once again, the album is based around recordings that Harper made in Africa – this time in Mali as well as Ethiopia – to which he adds his own guitar, bass, synth programming, percussion and production work. Then there are contributions from a new set of Western musicians, including the great American guitarist Skip McDonald, Adrian Utley (Portishead), Stuart Fisher (who has worked with Courtney Love), and members of psychedelic hippie heroes Ozric Tentacles.

Then there’s Jamaican singer Dennis Wint, who Harper met in the Somerset town of Frome, where he lives and works. Street Clan is even more wild, frantic and unexpected than Punt, with sections that work brilliantly and tracks where Ethiopian vocals are surrounded by a blitz of thrash guitar and percussion, results ranging from exhilarating to messy. The best tracks come towards the end, where the emphasis shifts from the clash of African vocals with full-tilt Western guitars, through to more conventional dub reggae. There’s still an African edge to Teenage Lion and Broken Heart, thanks to the vocal work from Zewditu Tadesse; but Wint dominates the songs with an energy and style that makes him sound like an unlikely male answer to early Patti Smith. There's a huge sea change between Invisible System 's debut and this sophomore outing. Where the first was definitely based around Ethiopian music, this is a much more amorphous and adventurous beast.

If it needs to be defined, it's a rock -- maybe even post-rock -- album. Ethiopia is still there, and some of the music was recorded in Addis Ababa. But many of the sounds were made in England using a truly staggering range of musicians, and there's a powerful Jamaican influence at work here, too. If you need an analogy, think of the work of Adrian Sherwood, or even some PiL (in fact, 'Mutant Miners' sounds like it could be have been smuggled off some fantastical PiL album). This is world music in the sense that it was made by people from different parts of the globe coming together, but its roots are in the here and now rather than in any tradition. It's challenging, adventurous, and heavily textured; the tracks were recorded live and later chopped up and mixed, although you'd never notice the joints.

Железный Человек Игру Torrent here. It might prove to be one of the finds of 2011, a real sonic adventure that speaks highly of Dan Harper, the man behind it all. 01 Tizita (feat. Portishead Adrian Utley, Ethiopiques) 4:01 02 Ambassel (feat. Mimi + band (after signed as Dub Colossus also)) 5:25 03 Zedanmer (feat. Eat Static, Ethiopiques) 4:38 04 Bone Flaps (feat. Merv Pepler and Los Mutartis + Ethiopiques) 3:51 05 Backyard (feat.

Skip McDonald (On U Sound, LIttle Axe, Sugar Hill Gang), Dennis 4:47 06 Skunk Funk (feat. The Ullulators) 4:30 07 Opidervtu (feat. Eat Static, Ethiopiques) 4:26 08 Womens Love (feat. Ozric Tentacles, Rythmites, Ethiopiques, Sydney Salmon) 6:15 09 Mutant Miners (feat. Merv Pepler, Los Mutartis, Ethiopiques) 6:08 10 Live Up To Love (feat. Hilaire Chabby (Baba Maal), Dennis Wint, Ethiopiques) 3:15 11 Men Dont Cry (feat.

Eat Static, Dennis Wint, Ethiopqiues) 2:46 12 Oumabetty (feat. Jonny / Akrilu (Mamoud Ahmed)) 3:13 13 Teenage Lion (feat. Ryhthmites Flash, Ethiopques,) 6:08 14 Broken Heart (feat. Dennis Wint, Leyikun Ethiopia) 3:33 15 Katabo (feat.

Merv Pepler, Dennis Wint) 3:45 16 Naturalisation (feat. Dennis Wint, Joie Hinton) 7:57 17 Rapture (feat. Merv Pepler, Dennis Wint) 3:20. Ethiopian music is the hidden gem of Africa. At the end of the Sixties and the early Seventies, Ethiopia was in the dying years of the imperial decline of Haile Selassie and the early years of a brutally repressive junta led by Mengistu. Within the confines of this stifling and constrictive environment there flowered some astonishing music. At times showing Fela Kuti's influences, in the big band sax flavour and other times a different take on regional music, this is a music that is accessible to all and has been championed by the likes of Robert Plant, Brian Eno and Elvis Costello.

The style of contemporary Ethiopia music captured by Dub Colossus ranges from dreamy blues, hypnotic grooves, jazz piano and driving funk brass. 'A Town Called Addis' was inspired by meeting, writing and working with singers and musicians in Addis Ababa in August 2006, and is a collaboration between Dub Colossus (Nick Page) and these amazing musicians covering Azmari and traditional styles as well as the popular singing styles of the 60s and 70s. It seeks to combine the golden years of ethiopique beats (popular again thanks to the release of the critically acclaimed 'Ethiopique' compliation ) and ethiojazz with the dub reggae styles of early 70s reggae groups like the Abyssinians, Mighty Diamonds and so on. Along with a hint of Sun Ra.' (Dub Colossus/aka Nick Page). We brought these unique urban field recordings home to Real World to complete the picture.

In March 2008 we invited a group of outstanding performers from Addis to travel to the UK. Some of these artists are unknown talents who have never traveled outside of their country before now, while others such as singer Sintayehu 'Mimi' Zenebe (Addis Ababa night club owner and know as the Ethiopian Edith Piaf ) and master saxophonist Feleke Hailu (a classical composer, lecturer and head of music at the Yared Music School and part of a dynastic tradition that stretches back far beyond the classic hits his father arranged for Mahmoud Ahmad in the late 1960s) have a huge reputation. They are joined by Teremag Weretow who, with his plaintive voice, playing his messenqo ( one-string fiddle) is a youthful carrier of an ancient tradition; extraordinary pianist Samuel Yirga is an exciting new discovery - a young prodigy of classical and Ethiojazz and finally the glamourous star Tsedenia Gebremarkos, winner of a Kora award as the best female singer in East Africa in 2004. Traditional-sounding songs, such as 'Hode Baba (I'm Worried He's Moving)', rock along nicely, balancing jangling guitars with a rocksteady groove and lamenting vocals. On later tracks, like 'Skunk Funk' - taken from their 2011 album, Street Clan, my favorite record of last year - Harper swirls things up a bit with psychedelic wah-wah work, lovely drifty melodies, and a spooky vocal performance from Tewabe Tadesse. This is also a great way to experience tracks from The Cauldron EP, including the disorienting dub spectacular 'Azmari Fuze', with vocals from wonderful singer/clubowner Mimi Zenebe. 01.Invisible System - Closer To The Edge (3:36) 02.Invisible System - Gondar Sub (4:04) 03.Invisible System - Tizita (4:04) 04.Invisible System - Dark entries (6:12) 05.

Invisible System - Skunk funk (4:33) 06.Invisible System - Azmari fuse (6:41) 07.Invisible System - Maljam kehnoelish (If this is what you want) (4:05) 08.Invisible System - Oumabetty (3:15) 09.Invisible System - Hode baba (I'm worried he's moving) (5:58) 10.Invisible System - Mama yey (5:56) 11.Invisible System - Fiten azorkugn (I turned my face away) (5:49) reviews. It makes perfect sense that World Music Network would put out a second edition of The Rough Guide to the Music of Ethiopia.

The first, in 2004, was a near-perfect sampler comprised of classic tracks from the Ethiopiques collections. Volume 2 goes further, showcasing not only Golden Age performers like Mahmoud Ahmed and Orchestra Ethiopia but also several fusions of those old time sounds with other genres, ideas and players from outside Ethiopia. People really began discovering vintage Ethiopian music with the superb Ethiopiques series, which showed just how varied and soulful the scene was in Ethiopia during the 1970s. Yeh Hai Jalwa Movie Mp4 Video Songs Download. It's arguable that it's just as vibrant these days, as this excellent compilation shows. There are some international collaborations from Dub Colossus and Invisible System (who are given an entire bonus album with this disc and are well worth hearing, managing to be sonically adventurous, incorporating many elements, including dub, into their sound, without losing the essential Ethio-centric core of the music), but the focus is on the homegrown. There's still soul, from Mahmoud Ahmed, then the strangeness of Krar Collective, who've been garnering widespread praise, and it's easy to understand why. Jazz has long been part of the spectrum and the glorious Samuel Yirga offers plenty here.

The overall variety of the disc makes it a joy, an excellent snapshot of a country's music, and an indispensable primer. Add in cult favorites the Ex on one cut and you have a real winner.

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