I disagree that the EQ is a 'must have'.Hello dullfangs, It is after all, a question of personal taste, but the Sonnox EQ has been a 'go-to' EQ for quite some time for quite a few well-known engineers. A new recent example of their commitment to quality, while not not exactly a plug-in, is the Sonnox Fraunhofer Pro-Codec Native. The Pro-codex is a fantastic tool for getting the ultimate quality when you move your mix to a different format such as.mp3, you can tweak until the mix until it can't really get any better. Once again providing that competitive edge that just might make the difference between a 'great' product and a 'superb' one. Sonnox has been responsible for some very high quality plug-ins with regards to everything they done so far. When they first came out they did set a new 'benchmark' and the fact they are still selling well shows they are still held in high esteem. Best Regards, Nick.

There have been a lot of 'emperors new clothes' since, but beyond the Transaparant RTA in de backgrond of modern gui's nothing much has changed or improved IMHO.I have to say I agree with those in the thread (and also in generally, see other forums such as the KVR) who say Sonnox is TODAY overpriced. When I bought the Sonnox (the Sony Oxford) EQ about 6 years ago, it was said to be THE state of the art EQ.

It is still a good eq. But a lot has happened since - and not just new emperors without the clothes. DMGAudio Equilibrium and Fabfilter Pro-Q 2.

After I purchased the Pro-Q, I have not used my Sonnox EQ at all. Why - the main reason, if I need a clean cut/boost, the Pro-Q just sounds better, its much more versatile than the Sonnox, the UI is superior etc. If I need more character/color, I use the Waves H-Eq or e.g. T-racks EQ 73 or 432. Also the whole market scene has changed since Sonnox pricing was 'justified' (of course, this dimension is always relative and changing): Waves plugins cost in average about 50% what they use to 5 years ago. The best plugins still cost a lot of money, but the Sonnox market positioning is wrong.

Of course the developer company/dealer has all right to choose their own marketing/pricing strategy. And we end-users, who pay the bill, we have right to express our opinion - thanks for the forums such as the Gearslutz! I have to say I agree with those in the thread (and also in generally, see other forums such as the KVR) who say Sonnox is TODAY overpriced. When I bought the Sonnox (the Sony Oxford) EQ about 6 years ago, it was said to be THE state of the art EQ. It is still a good eq. But a lot has happened since - and not just new emperors without the clothes.

No more missed important software updates! UpdateStar 11 lets you stay up to date and secure with the software on your computer. Sonnox Eq: $295. Sonnox Reverb: $349. Are these guys on crack or are their plugins THAT good. I am hearing that other top premium plugins are cleaner and much better sounding for fractions of the price. We have other alternatives from fab filter, dmg, brainworx. Wondering if I'm overlooking something.

DMGAudio Equilibrium and Fabfilter Pro-Q 2. After I purchased the Pro-Q, I have not used my Sonnox EQ at all. Why - the main reason, if I need a clean cut/boost, the Pro-Q just sounds better, its much more versatile than the Sonnox, the UI is superior etc.

If I need more character/color, I use the Waves H-Eq or e.g. T-racks EQ 73 or 432.

Also the whole market scene has changed since Sonnox pricing was 'justified' (of course, this dimension is always relative and changing): Waves plugins cost in average about 50% what they use to 5 years ago. The best plugins still cost a lot of money, but the Sonnox market positioning is wrong. Of course the developer company/dealer has all right to choose their own marketing/pricing strategy. And we end-users, who pay the bill, we have right to express our opinion - thanks for the forums such as the Gearslutz!Hello Harry_O, One of the main reasons we are doing to the Sonnox Group Buy is to let some people who might not have had the funds to get a Sonnox plugin access to them.

Some of the 'big ticket' or higher priced plugins out there, if you check, they have invested in the R+D of getting the AAX DSP format out the door for their client base that need it. BTW we are over 1/2 way on the Group Buy with 177 out of 300 signed up already.

Best Regards, Nick. Even with 50% discount these plugins are way too expensive and outdatedWell actual value of gear/plugin is pretty subjective, but I'm going to disagree with you regarding outdated statement.

I'm with AM's post regarding emperor's new clothes and some users seems to be crazy to me regarding steady delivery of news. Sure, there are lot of newer plugins, which offers additional features, but it doesn't make Sonnox stuff outdated IMO. Processing in all Sonnox plugins was always and still is top-notch quality. Precision, low distortion even during DAW automation passes, CPU efficiency and most importantly well thought workflow is what still applies.

For instance their EQ and DYN plugins were engineered and done 20y ago or so, but there aren't many advancements, which can be applied there. Good IIR EQ with decramped bell curves or channel dynamics isn't possible to do much better. And Paul Frindle's execution of that engineering tasks is exemplary IMO. There is one quite common misunderstanding these core effects. It were designed as channel EQ and Dynamics for large digital mixing desk and adapted for DAW, that's why you have for instance color coding on knobs, fixed number of bands etc. But what one can see as restriction, other can see as simplification of workflow. You have dull guitar track, so you just grab the yellow knobs and tweak it until it is right, move on to next track, no RTA, no underlying visual helpers etc.

If you accustom to that, it its very quick. Plus you can be very precise and flip several preset Q-gain dependencies, if you want. So comparison to 'tweakers' surgical EQ like ProQ and give minus points for lack of M/S matrix for instance isn't completely right as basic specification for design tasks were different IMO.

Oxford dynamics is probably my most favorite plugin, it is great combination of gate, compressor, limiter and exciter. Download Iprotect Cracked Iphone. You can do all dynamic related treatment in one plugin.

Great attack and release curves, it is almost impossible to make it sounding bad. Although I know more flexible or in some cases better sounding processors, I'm not aware of any similar swiss army tool by other vendor. Why would anyone go with that today instead of use of similar effects built into DAW's besides sound preference. Hmm, for instance because you can move between several DAWs (or even different versions of same DAW) and want to have these bread and butter effects always accessible and working exactly same way. That's why it is very popular (together with some Waves plugs) among broadcast freelance engineers around me.

For instance. One day working with Nuendo at home, second day with ProTools at different studio. Sonnox EQ and DYN is the same and always 'delivers'. Plus some effects are really unique sounding like Limiter, Inflator, Reverb for room simulation but it was already mentioned. Michal P.S.: I won't sell or endorse any Sonnox plugs, but want to somewhat balance utterly expensive and outdated opinions.

Plus some effects are really unique sounding like Limiter, Inflator, Reverb for room simulation but it was already mentioned. Sonnox Limiter is not bad but cannot hold a candle to Elephant, Pro-L, or IQ Limiter, not to mention that all other options are much cheaper. Sonnox EQ is clunky and does not offer the flexibility and fluidity of Pro Q, DMG or Equalize, once again all alternatives are much cheaper. Inflator can be easily replicated with many, many other plugins for a fraction of the cost. I do like their reverb, a lot. I own Sonnox bundle and, in today’s market, wouldn’t consider buying it even with 50% discount. Obviously all of the above is my very personal and very subjective opinion.

Sonnox Limiter is not bad but cannot hold a candle to Elephant, Pro-L, or IQ Limiter, not to mention that all other options are much cheaper.I definitely wouldn't say it cannot hold a candle. Personally I like some of your mentioned limiters (especially if your want to squeeze every bit of loudness from a material or for brickwall duties), but so far I can't find anything which replicates Oxford Limiter sound for delicate material. Example of this sound is factory preset 'Clean gentle no enh'. It works like kind of zoom to material without actually shrinking soundstage and bass, which I'm experiencing with other limiters and don't like.

Closest to it is maybe Elephant, but it isn't same.

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